Asia Society and Museum

“Curated as an intergenerational, intercultural conversation, Re(Generations) asks how Asian art objects from antiquity can continue to inspire artists negotiating the global present. By pairing contemporary works with selections from Asia Society’s historic collection, the exhibition emphasizes continuity rather than rupture—how motifs, symbols, and materials regenerate across time and migration. Rina Banerjee’s sculptures dominate the gallery with hybrid mythic presences—female forms festooned with horns, feathers, amber bottles, cowry shells, and silk, suspended between beauty and menace. Her poetic titles and assemblages transform colonial remnants into avatars of displacement and power, evoking Hindu goddesses while reframing femininity as a site of resistance. In She drew a premature prick… (2011), Banerjee’s bricolage of global materials reanimates the body as both wounded and exalted—an emblem of diaspora and the uncanny circulation of objects and people. Howardena Pindell’s Autobiography: Japan (Shisen-dō, Kyoto) (1982) and her accompanying wall text provide a meditative counterpoint. Drawing from her time in Kyoto, Pindell turns personal reflection into abstraction: circular collages and mixed media works that suggest maps of spiritual refuge. Her words—“What nourished me and gave me energy was the traditional Japanese way of organizing space…”—anchor the exhibition in quiet introspection. In contrast to Banerjee’s maximalism, Pindell’s rhythmic compositions suggest repair and solace after alienation, particularly poignant given her experience as an African American woman in Japan. Byron Kim’s subtle chromatic studies connect bodily and atmospheric perception, completing a triadic conversation about identity, materiality, and cross-cultural translation. Together, these artists bridge histories of trade, empire, and migration, transforming the Rockefeller Collection’s classical Asian art into a living archive of renewal.”

“We had the chance to perform at the Asia Society and Museum, and it was such a meaningful experience. The venue has a beautiful atmosphere and a great location, though the building itself is a bit old and could use some updated equipment. A bigger dressing room would also be really helpful for performers. What really made the experience special was the people. The staff were amazing, especially Rachael and Diya, and also the security team. All so kind, professional, and supportive. They made us feel welcome and taken care of throughout our time there. It’s a lovely and inspiring place to perform, with wonderful people behind it.”

“Asian Society was founded by John D Rockefeller 3rd in 1956. It’s a nonprofit international educational institution. The museum was established in 1978 with focus on Asian art and culture. Contemporary interior with remarkable art collections, activities. Very friendly staff.”

“My wife and I had a great time visiting the museum. They have a ton of amazing pieces, and there are many interactive exhibits as well, which we really enjoyed. Hope to make it back someday.”